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Robert Carter

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The Elder

I see elders as guardians of the past. They help to give us context for where we are going by reminding us of where we've been. They govern as authority figures, and can also be guides for us.

-

Featuring Vivienne Crawford, Esq.

Hair & Makeup by Aziza Walker

Photo Assistance from Brandon Suters

With support from Kiley Baun, Li Sumpter, The Village of Arts & Humanities

1-The Elder x Robert Carter.jpg
Elder-15.25-x-10_web.jpg

Atemporal Artefacts

Atemporal Artefacts is an on-going body of work that serves as a meditation on legacy, perception, and presence.

Artefacts tell us so much about who we were. They can teach us about the things we desired, feared, revered, and endured. They speak to humankind’s ingenuity and aesthetic sensibilities, and in some cases mark major milestones in our development as a species.

Drawing inspiration from some of the most important relics and artistic eras of human history, this photographic series poses the question of what future art histories could look like. These modern, ‘living artifacts’ assume Blackness as a state of divinity, seamlessly blending elements of afrofuturism, ancient history, and cinematic aesthetics into a cohesive, otherworldly tapestry.

Atemporal Artefact II.I
Atemporal Artefact II.I
Headdress I
Headdress I
Atemporal Artefact II.II
Atemporal Artefact II.II
Maker
Maker
Soteria III
Soteria III
Soteria II
Soteria II
Neigong II
Neigong II
Neigong III
Neigong III
Neigong I
Neigong I

Printed Works

Neema (Grace)
Neema (Grace)

1st Edition. (1/5)

Archival Pigment Print on Photographique Rag. 24” x 30”

Hand-painted vintage frame.

Nneruli I
Nneruli I

1st Edition. (1/3)

Archival Pigment Print on Metallic Rag. 20” x 24”

Hand-painted vintage frame, Museum glass.

Nneruli IV
Nneruli IV

1st Edition. (1/3)

Archival Pigment Print on Metallic Rag. 16” x 20”

Hand-painted vintage frame, Museum glass.

Uvumilivu (Perseverance)
Uvumilivu (Perseverance)

1st Edition. (1/3)

Archival Pigment Print on Metallic Rag. 24” x 30”

Hand-painted vintage frame, Museum glass.

Femme Rouge
Femme Rouge

1st Edition. (1/3)

Archival Pigment Print on Metallic Rag. 11” x 14”

Hand-painted vintage frame, Museum glass.

Udugu (Brotherhood)
Udugu (Brotherhood)

1st Edition. (1/3)

Archival Pigment Print on Metallic Rag. 11” x 14”

Hand-painted vintage frame, Museum glass.

Soteria III
Soteria III

1st Edition. (1/5)

Archival Pigment Print on Metallic Rag. 40” x 40”

Neigong III
Neigong III

1st Edition. (1/5)

Archival Pigment Print on Metallic Rag. 30” x 40”

Artifact II.I
Artifact II.I

1st Edition. (1/3)

Archival Pigment Print on Metallic Rag. 40” x 60”

Artifact I
Artifact I

1st Edition. (1/1)

Archival Pigment Print on Photographique Rag.

Hand-painted vintage frame.

Queen
Queen

1st Edition. (1/1)

Archival Pigment Print on Metallic Rag. 60” x 40”

Femme Noire 03
Femme Noire 03

Archival Pigment Print on Metallic Rag. 20” x 24”

Femme Noire 13
Femme Noire 13

Archival Pigment Print on Metallic Rag. 20” x 24”

Fadhili (Kindness)
Fadhili (Kindness)

1st Edition. (1/10)

Archival Pigment Print on Photographique Rag. 8” x 10”

Hand-painted vintage frame.

Utajiri I (Wealth I)
Utajiri I (Wealth I)

1st Edition. (1/5)

Archival Pigment Print on Metallic Rag. 24” x 30”

Atemporal Artefacts, 2022
Atemporal Artefacts, 2022

Solo Exhibition @ The Space Art Gallery Philadelphia

Uvumilivu @ Fitler Club, 2022
Uvumilivu @ Fitler Club, 2022
Artifact @ The W Hotel, 2021
Artifact @ The W Hotel, 2021
Keys to the Estate, 2023
Keys to the Estate, 2023

Nneruli

Nneruli_2.19.22-216_r_web.jpg
Nneruli_2.19.22-461_r_web.jpg
Nneruli_2.19.22-485_r_web.jpg
Nneruli_2.19.22-243_r_web.jpg

Utajiri (Wealth)

Utajiri, the Swahili word for Wealth, is a series of images that serve as a meditation on luxury. Specifically, who is perceived as “worthy” of luxury, especially in Western society. The subject, garbed in rich blue velvet and accessorized by pearls and citrus, is regal in their bearing, and fluid in their apparent gender expression. Visually, the series taps into familiar cues from Western works of art history, while the title is of Bantu origin, a tongue foreign to most Westerners. In this way, the viewer is encouraged to confront and expand their ideas of what wealth looks and sounds like.

(Utajiri is pronounced Oo-tah-gee-ree, or Oo-tah-jee-ree)

Utajiri I
Utajiri I
Utajiri II
Utajiri II
Utajiri III
Utajiri III

La Romance

La Romance is a series of images that serve as a meditation on the relationship between love and innocence.

Romance_2.5.21-173_r_web.jpg
Romance_2.5.21-246_r_web.jpg
Romance_2.5.21-196_r_web.jpg
Romance_2.5.21-238_r_web.jpg
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The Elder
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9
Atemporal Artefacts
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19
Printed Works
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5
Nneruli
Utajiri I
3
Utajiri
Romance_2.5.21-238_r_web.jpg
4
La Romance

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